Television
shows possess a great ability to test your faith in them. Just as it
starts to run out and you give up hope, they can manage to pull you
back in. This has certainly been the case with Elementary.
After a few signs of the show starting to run out of steam, it has
begun to redeem itself with an episode the reignites the spark that
had once seemed lost.
Moving away
from the standard murder mystery format that the show had been
indulging in, Sherlock is presented with something that he just
cannot ignore. A seemingly impregnable safe is broken into leaving
its designer with no other option but to turn to Sherlock as a last
resort to save his reputation and his company and figure out how the
thieves got it. The case takes in the search for a mythical thief,
secret computer codes and Sherlock’s temporary ownership of a
missing Van Gogh masterpiece. All in a day’s work!
The slight
tweak in format and different style of mystery provides a refreshing
alternative to the rather more formulaic offerings of previous weeks.
If there is a weakness it is that towards the end it is an episode
that resorts too willingly to safer ground by throwing in a few
murders. The heist solution is also rather unsatisfactory but there
are enough surprises and twists along the way so that it is not a
disappointment that it too greatly felt.
Previous
episodes have tried to explore some of Joan’s past and provide her
with a greater backstory. This endeavour has not been entirely
successful and has been unnecessarily tacked on to earlier episodes
providing no great satisfaction in learning more about the character.
However, this week’s customary Joan backstory subplot introduces
her mother and brother and finally starts to offer a few genuine
relationships rather than some of the forced ones we have been
previously fed.
Jonny Lee
Miller remains one of the strongest components of the show and his
performance is back to the manic, high-octane state of earlier
episodes. However, while it is a fun and entertaining turn, it is
starting to feel less and less like the true essence of the character
of Sherlock Holmes despite Miller getting to use one of the literary
version’s greatest quotes during the course of the episode.
Lucy
Liu continues to be quietly impressive as Watson and gets to share a
heartfelt scene with her mother during the episode’s denouement.
With Detectives Gregson and Bell left in the background it is truly
an episode that gets to fully play with the Holmes/Watson dynamic.
Just as there are signs that there is a genuine mutual respect
developing between the two and that a partnership is being forged it
is intriguing to ponder how the writers will deal with the impending
conclusion of Watson’s employment as companion and how they will
keep them together. This also proposes the tantalising prospect that
an introduction to Sherlock’s father cannot be too far off.
This is a
return to some kind of form and the return of a spark that will
hopefully not be squandered.
Review by Jonathan Gray
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