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Flashback February - 3rd Rock from the Sun

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If you grew up in the nineties, there are three shows you probably saw as a kid: a TV adaption of a comic or movie, a show made to sell toys and, of course, at least one sitcom. From The Simpsons to Everyone Loves Raymond the sitcom was inescapable. Even now sitcoms are still running rampant on every channel and it’s really no surprise why; with every decade the modern lifestyle needs to be revisited and explored at all new angles.

One sitcom from this era that I loved as a kid was a quirky little production about aliens trying to research human life. It launched the career of one of my favourite comedy actors and to this day can still get a chuckle out of me.

No, I’m not talking about Mork and Mindy. The show I’m talking about is the story about a band of four explorers.

3rd Rock from the Sun is your typical sitcom romp with the added twist of science fiction and an all-star cast. Today, this show is likely notable for being the most memorable role that Joseph Gordon-Levitt had during his time as a child actor; it was bizarre watching a teenager play an old man play a teenager, but it was definitely entertaining. We also have comedy legends John Lithgow and Wayne Knight on the team playing Commander Dick Solomon and Officer Don Orville respectively. Both these men give great performances. Although these are the names you might be more likely to remember, they are far from the best performers in the show (although Don and Sally’s relationship has always been one of my favourite parts).

French Stewart’s portrayal of Harry Solomon is…unique to say the least. While ditzy, too-dumb-to-live characters have been around since the stone age of television, I doubt even Ralph Wiggum would gather all the liquids in his kitchen and taste test them for toxicity. As I’ve mentioned before I’m also a huge fan of Kristen Johnston as Sally; her character was a male alien who was forced into the role of the woman because they ‘lost’. The result: a sexually dominating amazon that combines the traits or men and women in a beautiful harmony.

The closest thing we had to Sally at the time was Xena the Warrior Princess.

To be honest, it would be easier for me to list what characters I don’t like on 3rd Rock from the Sun. There are a few clichéd, not so memorable characters, but they are so few that I often forget they exist.

Each episode is usually based around an aspect of human culture and state of being, but as the series went on the meat of the show became Dick pursuing a relationship with Mary and everyone else growing comfortable in their role as humans. This culminates in one of the sadder finales I’ve seen. As a kid, I had just assumed everything will carry on as it always had and things will turn out alright for the protagonists.

Then I saw the series finale. It isn’t as depressing as, say, The Dinosaurs was, but it was definitely something that could make your eyes mist up. As mentioned before these four explorers were scientists on a research mission; all missions come to an end. Sure, everything gets tied up nicely, they go out with the loudest bang a maxed credit card can afford and we get some closure for the two main couples, but that doesn’t change the bittersweet nature of the departure. It’s a comedy so you still get all the laughs you’ve come to expect (Don and Sally’s farewell is the standout here) but something about the family of four leaving everything behind after six years…well, it was a pretty sad ending.

True, there is a scene that boosts the spirits as quickly as the episode lowered them, but it was still a pretty sad ending.

Overall, even if you’re tired of the sitcom, 3rd Rock from the Sun’s crew of characters is bound to tempt a laugh or two from your throat. It might seem dated at first due to the visual look of the series, but in my opinion it’s still a strong contender for the best sitcom even today. It might seem a little silly at first but you might find yourself, like I did, getting more emotional pay off than you bargained for.

Review by  Greta Rehak

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REVIEW - 90210 - S05E12-13

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To get everyone up to date: Annie was shot by Liam’s obsessed body guard, Adrianna is now Dixon’s ex but is stuck representing the record company, while Naomi and Max have decided to call the quits on their marriage. Silver is still very determined to get pregnant and Liam has anger issues.

Picking up from last week’s episode which was horribly depressing due to all the broken hearts, including Riley (Annie’s new boyfriend dying) and Max deciding he wants to go back to school, leaving Naomi behind. As the most ‘successful’ is the recent season, it’s sad to see Max give up so easily on love. For this week, the couple had to come together as ‘friends only’ and put on a show at the new charity event Naomi is organising. Using all her seductive skills, Naomi is determined not to let Max go and one night successfully gets him to sleep with her. Although, Max turns to her and explains that it ‘meant’ nothing. Trying to hide her reaction to this answer, Naomi goes as his partner and has a little break down during the science presentation.

Liam on the other hand may not be fighting with someone in particular but seems to fighting with his self. Since he was kidnapped, Liam has been aggressive and paranoid. He was kicked out of his gym for knocking a guy out and also started some kind of ‘fight club’ scenario which helped Navid and him get into a prestige club for guys. A movie director approaches Liam with a proposal to play the lead for her new film based around a football player but just needs to see him in action. During Naomi’s charity, Liam plays football as a celebrity guest and impressed by skills, he is offered the movie role. The crowd and paparazzi gets more intense for Liam after he wins the game and he doesn’t seem to cope with all the attention.

Navid is trying to keep his new friends from the club entertained and takes them out for night. To impress them, he tries to pick up a beautiful girl at the bar who he later gets to know a bit better and sleeps with her.

Adrianna will do almost anything to get out of her contract with Dixon, including chucking a ‘Lohan’ and stealing at a retail store. However, she has underestimated how many connections Dixon has and he makes the incident go away but Ad is still angry about the humiliation she endured at the toddler pageant (she discovered that Dixon was funding money to help his new girlfriend but it back fired). When Silver complains about not knowing the surrogate that Teddy has chosen to have their child, Adrianna offers to have the baby. When Adrianna goes on stage dressed inappropriately and singing horribly, she loses her chance to sign with a new record company.

The best part of this episode is you got to see the girls finally just hanging out and talking about their problems. For some time it felt like they all lived in different worlds and can someone please finally have a successful relationship that does not end in tragedy?

Review by Jessica Tisdell

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REVIEW - New Girl S2E14-16

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FINALLY something has happened between Jess and Nick, after watching a whole first season of the writers suggesting that there is something more going on.

Nick is the kind of friend that can get protective which was evident when he began to stalk a guy in Jess’s writing class who he believed was a serial killer out to get Jess next. Than in the next episode the guys (who are all single now) decided they needed to get laid. Winston had lost all confidence to talk to single women, while Nick and Schmidt fought over a hot woman who gets turned on by others misery. As the night went on and the gang played their favourite drinking game in hopes to get lucky. Jess aka. Nick’s cooler (a person who seems to ruin your chances with a new conquest) gets into a predicament when she is chosen to kiss Nick. Stuck behind a door, Jess and Nick avoid it. Nick even climbs out of the window to get out of the room but in the end they finally kissed. A breath-taking kiss that was much needed since all the tension was probably building up.

After the incident, Jess lays horrified next to her boyfriend Sam while Nick also can’t sleep. For the rest of the day, Nick does everything to avoid seeing Jess and awkwardly moon-walks away from her several times. Cece who is still on the hunt for an Indian husband is going to an Indian dating convention and brings Jess along. Schmidt knows about it decides that he too will be attending with Winston and Nick, while they embrace their inner Indian.

A very touching moment was when Schmidt looks over to find Cece sitting alone unapproached by potential husbands. Schmidt takes over the microphone and gives a speech about how stupid India is because they have not noticed beautiful Cece sitting there.

Back to Jess and Nick, it may have been a kiss that made them travel through time and space but everyone knows you can’t simply date your room-mate. It’s complicated and as you will see from this episode, they don’t really know how to handle this kind of situation. Elsewhere, Winston gets his mojo back and Schmidt seduces the love of his life Cece.

New Girl has come a long way, by tugging at the heart strings and making us laugh at the same time. The show just keeps getting better.

Review by Jessica Tisdell

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Ratings - Monday

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Final Monday broadcast primetime ratings for Monday, February 11, 2012
TimeNetShow18-49rating18-49 ShareViewers Live+SD (million)
8:00PMCBSHow I Met Your Mother3.298.98
ABCThe Bachelor (8-10PM)2.778.48
FOXBones2.268.82
NBCThe Biggest Loser (8-10PM)2.055.58
CWThe Carrie Diaries0.521.20


8:30 PMCBSRules of Engagement2.878.39
9:00PMCBS2 Broke Girls3.6910.90
FOXThe Following2.467.79
CW902100.310.66
9:30PMCBSMike & Molly3.0710.50


10:00PMCBSHawaii Five-O2.169.64
ABCCastle2.058.97
NBCDeception1.233.23
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Nielsen TV Ratings Data: ©2013 The Nielsen Company. All Rights Reserved.

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Flashback February - Will and Grace

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Will and Grace is one of those long running sit-coms that no one probably predicted to do as well as it did.

I mean if you think about a sit-com that revolves around a gay man and his dubbed ‘hag,’ and their co-dependant relationship, is that a premise that you think would last for eight seasons? No? And yet it did.

I was first introduced to Will and Grace as a child and didn’t quite understand it and didn’t think much else of it until I was re-introduced as a teenager, after the show itself had long finished.

Will and Grace had a loyal fanbase for many, many years, but I was surprised that it didn’t have a bigger one. The writing for the screenplay was some of the quickest, wittiest, and self-effacing humour I had ever seen grace American TV sets.

Without really trying too, Will and Grace also for the first time introduced gay characters in our lives that weren’t one-dimensional token one-liner characters. No, in fact, the gay characters had relationship problems and general issues just like the rest of the straight community already long represented on television.

For that reason, the show had heart and a strong sense of community emanated from not only the fan base but also the cast and producers.

Not to mention the amazing character-acting from Megan Mullally, and Sean Hayes who play ‘Karen’ and ‘Jack,’ whom without the show simply wouldn’t have survived.

Sit-coms often tend to lack contextual information, or variety, which means that they have to rely heavily on the characters portrayed and the screenplay to be successful.

There aren’t many sit-coms today that manage to pull this off as well as Will and Grace did.

Whether you’re scrolling through Tumblr or talking to your neighbour in your office, Will and Grace is one of those quotable shows that still lives on in our memories. Let’s hope it stays that way.

Review by Jemma Nott

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Podcast S01 E01!

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Hello helloo and welcome to our very first podcast! Join your hosts Alaisdair and Todd every week as they discuss all the latest in TV news and discuss their favourite shows and episodes. You can listen directly on the website or download via Itunes.



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Flashback February - Firefly

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Of the four TV series that Joss Whedon has created thus far, it can be argued that Firefly is the most beloved.

There is a huge fanbase and several ‘Bring Back Firefly’ movements that are still active after 11 years of cancellation. If you are unsure about what I mean by a huge fanbase, allow me to explain: it’s a show that can attract over four thousand fans (or ‘browncoats’) to a convention panel ten years later. It’s a show that inspired a ‘Help Nathan Buy Firefly’ movement after a joke about winning the lottery. It’s a show that constantly pops up whenever the question of ‘Best Sci Fi Series Ever’ is asked. It’s a show that even Joss Whedon himself has talked about ‘uncancelling’ more than once.

It’s a show that, despite its one season fate, the fans will not allow anyone to forget.

Despite all this love for the crew of Serenity and their adventures, I have never seen Firefly before this week. It is with this fresh perspective loaded with hype that I entered the verse. Unfortunately, hype can inflate one's expectations to an unrealistic degree. The series is not without its flaws, but whether it's to the detriment of the show or part of the charm is debateable.

With all that out of the way, let's take a look at Firefly's first and (so far) only season.

While other series would like us to follow star fleet captains, rebellions and the like, Firefly instead follows a merry band of smugglers and some passengers they pick up along the way. As reflected from the opening theme ‘The Ballad of Serenity’, Captain Malcom Reynolds and his crew wander from place to place, never really at home and only looking to keep their ship in the sky.

The narrative we’re presented with is a wandering gunman story set against a science fiction backdrop; while there are many clear influences from both the western and science fiction genres, it is hard to pin down which of the two is the more dominant. While the ever-looming presence of an empire-like figure forcing our heroes to jump from place to place seems reminiscent of Star Wars, our heroes have more in common with the likes of Clint Eastwood’s Man with no Name than Mark Hamill’s Luke Skywalker.

If I’m able to say that there is not one character on the crew that I feel is useless and frustrates me beyond comprehension, then both the actors and the show runners have done a fantastic job. Despite a cast of nine, each and every member of the Serenity’s crew have a strong character and never stay out of focus for very long. A lot of the great moments in Firefly are when you have members of the crew bouncing off one another whether it’s intimate moments on the ship or a party they’ve hijacked to get a client.

As I just mentioned, getting by is the driving theme of the story. Doing the right thing and looking out for yourself come up often during the series. The most notable of these is the character Jayne, who joined the crew through betraying his previous crew, and his occasional struggle with his mercenary lifestyle. He has often threatened to deliver two fugitives (Simon and River Tam, two regular members of the crew as of the pilot) to the Alliance and has actually done so in the episode Ariel. However, he shows remorse for his actions and helps them escape.

Jayne is not the only one who struggles with this; as early as the second episode Mal and Zoey learn that they were hired to steal much needed medicine from a colony after they have already stolen it. The episode ends with them returning both the drugs and their client’s money. While the protagonists of the series are mercenaries at best, there is a certain level of honour they all have. It illustrates that while they’ve all got the short end of the stick and it would be easier for them all to turn on one another that, just like the ship is their home, they’re all family. It’s a complicated family based on a mutual dislike of the alliance and smuggling, but it is still a family. It’s this added complexity coupled with how they all interact that I feel is Firefly’s real strength.

By now I am sure you’re wondering why I am singing all these praises despite before mentioning that the series is not without flaws. Well, I feel that now is as good a time as any to point out that Firefly, while a visually unique experience, suffers the same trappings as many sci fi series do.

I cannot say, with a straight face, that the image of Serenity flying in the sky looks believable. The interior is beautiful and I am in love with the more rustic look the firefly model has, but the computer graphics within this series is far from discreet. The same goes for many other buildings and cities in the series; the interior looks convincing enough, but the exterior looks like it belongs in a video game at times.

Finally, the guns sound like they should be firing lasers, yet what we have are old school revolvers and shotguns.

There, now I’ve covered the cosmetic side of Firefly and where I feel it falls flat.

Where Firefly suffers in terms of story is how dreams and flashbacks are sometimes handled in the series. In the pilot we’re treated to a flashback that reveals how Mal and Zoey know one another and were driven to their current lifestyle. We’re thrown in the middle of an adrenaline fuelled battle; the independents are forced to surrender, their leaders pull out to leave the survivors to die and Mal and Zoe just stare up at the sky as the ships sail away. While it is dramatic enough, the flashback feels very jarring and has little to no impact on the plot of the pilot. It also suffers because of a slightly lacklustre set and it takes a while to absorb that the man at the turret is, in fact, Mal and not a generic action movie hero.

I would be lying if I said there were no good flashbacks or time jumps in Firefly. The series generally handles these well and some of the strongest scenes in the series are flashbacks; one of my favourites is how they hire their current mechanic Kaylee. There is even one episode that jumps all over the place in time and still manages to make sense. However, this episode can be disorienting especially for new viewers and some of the flashbacks seem like they’re there for the sake of being there. Not all of the flashbacks are needed in their episodes and some could be sacrificed with no ill effect. However, they tend to be interesting enough to keep me from hating them too much.

In contrast to the more locked out Buffy the Vampire Slayer and Angel, I feel that most people could jump into Firefly at any point and catch wind of what was going on, how everyone meshed together and, most importantly of all, enjoy it. However, whether or not you do enjoy it is a little less straight forward. It may have a lot of similar elements to other science fiction shows, but it is different enough to either draw people in or scare them away.

If you’re not the type who can see past some lack lustre visuals and effects, then I do not recommend this series. If you don’t like getting western in your sci fi, then I do not recommend this series. If you’re not the type who enjoys focus on characters over the plot, then I do not recommend this series. However, if you’re itching for a sci fi adventure that takes you all over a rich, diverse verse and some humorous back and forth banter, then Firefly is for you.

Review by Greta Rehak